One More Misguided Voice Saying That The Musical Achievements Of A Now Fallen Western Civilization Can Be Contained On 100 Classical Music Recordings
"For the vast majority of its fans around the world, the experience of listening to classical music has been through recording. Indeed, one of the striking aspects of the past century has been the overwhelming popularization of a form of music previously restricted to particular places and people of wealth.
Maestros, Masterpieces and Madness [the American title is reported to be The Life and Death of Classical Music], which is scheduled to come out April 10th. It is published by Anchor Books, a division of Random House, is an extraordinarily enjoyable, original and revealing account of how a random alliance of engineers, entrepreneurs, conductors and fixers invented a new medium containing the entire back catalogue of Western civilization. The huge array of masterpieces they recorded, now safely digitalized, will last forever. But they also created a mountain of schlock, schmaltz, ego-trips and inconceivably misguided projects. This century of productivity that shaped the minds of millions of people came to an end when the dawn of the internet and the onset of corporate insanity conspired substantially to shut down the industry.
Norman Lebrecht compellingly demonstrates that classical recording has reached its end point, but this is not just an expose of decline and fall. It is for the first time, the full story of a minor art form, celebrating the genius of Schnabel, Toscanini, Karajan, Callas, Rattle, Pavarotti and others and the ways that their work has enriched our lives. For the dazzling legacy lives on, even if the means of production has gone. The book ends with a suitable shrine to classical recording: the author's critical selection of the one hundred most important recordings - and the twenty most appalling."
Source:
Norman Lebrecht
Maestros, Masterpieces and Madness:
The secret life and shameful death of the classical record industry
[aka The Life and Death of Classical Music]
Book: Hardback | 336 pages | ISBN 9780713999570 | 05 Apr 2007 | Allen Lane
*
With thanks to Bob Shingleton and On An Overgrown Path who blogs daily on behalf of global, musical performance, musical recording, and musical broadcasting sanity. [Also see Elaine Fine's blog Musical Assumptions.]
*
I will, however, read the new book; having learned so much from Mr Lebrecht's earlier The Maestro Myth -- especially its fascinating and recommended 1991 Appendix on Conductors and their careers and contributions to European and American classical music.
An early WGMS Classical music radio promotion material.
Photo credit: (c) Dave Hughes and dcrtv.org. With thanks.
Maestros, Masterpieces and Madness [the American title is reported to be The Life and Death of Classical Music], which is scheduled to come out April 10th. It is published by Anchor Books, a division of Random House, is an extraordinarily enjoyable, original and revealing account of how a random alliance of engineers, entrepreneurs, conductors and fixers invented a new medium containing the entire back catalogue of Western civilization. The huge array of masterpieces they recorded, now safely digitalized, will last forever. But they also created a mountain of schlock, schmaltz, ego-trips and inconceivably misguided projects. This century of productivity that shaped the minds of millions of people came to an end when the dawn of the internet and the onset of corporate insanity conspired substantially to shut down the industry.
Norman Lebrecht compellingly demonstrates that classical recording has reached its end point, but this is not just an expose of decline and fall. It is for the first time, the full story of a minor art form, celebrating the genius of Schnabel, Toscanini, Karajan, Callas, Rattle, Pavarotti and others and the ways that their work has enriched our lives. For the dazzling legacy lives on, even if the means of production has gone. The book ends with a suitable shrine to classical recording: the author's critical selection of the one hundred most important recordings - and the twenty most appalling."
Source:
Norman Lebrecht
Maestros, Masterpieces and Madness:
The secret life and shameful death of the classical record industry
[aka The Life and Death of Classical Music]
Book: Hardback | 336 pages | ISBN 9780713999570 | 05 Apr 2007 | Allen Lane
*
With thanks to Bob Shingleton and On An Overgrown Path who blogs daily on behalf of global, musical performance, musical recording, and musical broadcasting sanity. [Also see Elaine Fine's blog Musical Assumptions.]
*
I will, however, read the new book; having learned so much from Mr Lebrecht's earlier The Maestro Myth -- especially its fascinating and recommended 1991 Appendix on Conductors and their careers and contributions to European and American classical music.
An early WGMS Classical music radio promotion material.
Photo credit: (c) Dave Hughes and dcrtv.org. With thanks.
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