Tales From The Disenlightenment: Classical WETA's New Programming Software Directs Music Staff To Suppress Virtually All American Music
Arts Advocacy Day 2007
What would Robert MacNeil and Jane Alexander say about today's, March 12, 2007, total absence of American classical music on Sharon Rockefeller's New Classical WETA-FM?
Kazimir Malevich
Morning in the Village after Snowstorm
Utro posle v'iugi v derevne
1912
Oil on canvas
31 3/4 x 31 7/8 inches
Solomon R. Guggenheim Museum
*
Kazimir Malevich
b. 1878, near Kiev [Kyiv]; d. 1935, Leningrad [(Saint)Petersburg]
"Kazimir Malevich was born February 26, 1878, near Kiev [Kyiv]. He studied at the Moscow Institute of Painting, Sculpture, and Architecture in 1903. During the early years of his career, he experimented with various Modernist styles and participated in avant-garde exhibitions, such as those of the Moscow Artists’ Association, which included Vasily Kandinsky and Mikhail Larionov, and the Jack of Diamonds exhibition of 1910 in Moscow. Malevich showed his Primitivist paintings of peasants at the exhibition Donkey’s Tail in 1912. After this exhibition, he broke with Larionov’s group. In 1913, with composer Mikhail Matiushin and writer Alexei Kruchenykh, Malevich drafted a manifesto for the First Futurist Congress. That same year, he designed the sets and costumes for the opera Victory over the Sun by Matiushin and Kruchenykh. Malevich showed at the Salon des Indépendants in Paris in 1914.
At the 0.10: The Last Futurist Exhibition in Petrograd in 1915, Malevich introduced his non-objective, geometric Suprematist paintings. In 1919, he began to explore the three-dimensional applications of Suprematism in architectural models. Following the Russian Revolution in 1917, Malevich and other advanced artists were encouraged by the Soviet government and attained prominent administrative and teaching positions. Malevich began teaching at the Vitebsk Popular Art School in 1919; he soon became its director. In 1919–20, he was given a solo show at the Sixteenth State Exhibition in Moscow, which focused on Suprematism and other non-objective styles. Malevich and his students at Vitebsk formed the Suprematist group Unovis. From 1922 to 1927, he taught at the Institute of Artistic Culture in Petrograd, and between 1924 and 1926 he worked primarily on architectural models with his students.
In 1927, Malevich traveled with an exhibition of his paintings to Warsaw and also went to Berlin, where his work was shown at the Grosse Berliner Kunstausstellung. In Germany, he met Jean Arp, Naum Gabo, Le Corbusier, and Kurt Schwitters and visited the Bauhaus, where he met Walter Gropius. The Tretiakov Gallery in Moscow gave Malevich a solo exhibition in 1929. Because of his connections with German artists, he was arrested in 1930 and many of his manuscripts were destroyed. In his final period, he painted in a representational style. Malevich died May 15, 1935, in Leningrad."
Photo and text credit: Solomon R. Guggenheim Museum, Las Vegas, Nevada, United States. With thanks.
What would Robert MacNeil and Jane Alexander say about today's, March 12, 2007, total absence of American classical music on Sharon Rockefeller's New Classical WETA-FM?
Kazimir Malevich
Morning in the Village after Snowstorm
Utro posle v'iugi v derevne
1912
Oil on canvas
31 3/4 x 31 7/8 inches
Solomon R. Guggenheim Museum
*
Kazimir Malevich
b. 1878, near Kiev [Kyiv]; d. 1935, Leningrad [(Saint)Petersburg]
"Kazimir Malevich was born February 26, 1878, near Kiev [Kyiv]. He studied at the Moscow Institute of Painting, Sculpture, and Architecture in 1903. During the early years of his career, he experimented with various Modernist styles and participated in avant-garde exhibitions, such as those of the Moscow Artists’ Association, which included Vasily Kandinsky and Mikhail Larionov, and the Jack of Diamonds exhibition of 1910 in Moscow. Malevich showed his Primitivist paintings of peasants at the exhibition Donkey’s Tail in 1912. After this exhibition, he broke with Larionov’s group. In 1913, with composer Mikhail Matiushin and writer Alexei Kruchenykh, Malevich drafted a manifesto for the First Futurist Congress. That same year, he designed the sets and costumes for the opera Victory over the Sun by Matiushin and Kruchenykh. Malevich showed at the Salon des Indépendants in Paris in 1914.
At the 0.10: The Last Futurist Exhibition in Petrograd in 1915, Malevich introduced his non-objective, geometric Suprematist paintings. In 1919, he began to explore the three-dimensional applications of Suprematism in architectural models. Following the Russian Revolution in 1917, Malevich and other advanced artists were encouraged by the Soviet government and attained prominent administrative and teaching positions. Malevich began teaching at the Vitebsk Popular Art School in 1919; he soon became its director. In 1919–20, he was given a solo show at the Sixteenth State Exhibition in Moscow, which focused on Suprematism and other non-objective styles. Malevich and his students at Vitebsk formed the Suprematist group Unovis. From 1922 to 1927, he taught at the Institute of Artistic Culture in Petrograd, and between 1924 and 1926 he worked primarily on architectural models with his students.
In 1927, Malevich traveled with an exhibition of his paintings to Warsaw and also went to Berlin, where his work was shown at the Grosse Berliner Kunstausstellung. In Germany, he met Jean Arp, Naum Gabo, Le Corbusier, and Kurt Schwitters and visited the Bauhaus, where he met Walter Gropius. The Tretiakov Gallery in Moscow gave Malevich a solo exhibition in 1929. Because of his connections with German artists, he was arrested in 1930 and many of his manuscripts were destroyed. In his final period, he painted in a representational style. Malevich died May 15, 1935, in Leningrad."
Photo and text credit: Solomon R. Guggenheim Museum, Las Vegas, Nevada, United States. With thanks.
posted by Garth Trinkl at 9:33 AM
0 Comments:
Post a Comment
<< Home