Art, 'New Music', And African Genocide

1. Overture (Egmont: Ouverture)
2. No. 1. Song: A drum in the distance (Egmont: No. 1, Song: Die Trommel gerühret)
3. No. 2. Melodrama: One thing I learned (König Stephan: No. 7, Melodrama)
4. No. 3. Meoldrama: Informants, spies (König Stephan: No. 5, Melodrama)
5. No. 4. Interlude 1 (Egmont: No. 6, Enrt'acte 4)
6. No. 5. Interlude 2 (Leonore Prohaska: Funeral March)
7. No. 6. Interlude 3 / Melodrama: I could do something (Egmont: No. 3, Entr'acte 1)
8. No. 7. Interlude 4 (Egmont: No. 3, Entr'acte 2)
9. No. 8. Interlude 5 (Egmont: No. 7, Clara's Death)
10. No. 9. Melodrama: I was one human being (Egmont: No. 8, Melodrama)
11. No. 10. Song: Lost and despairing (Egmont: No. 4, Song: Freudvoll und leidvoll)
12. No. 11. Interlude 6 (Egmont: No. 5, Entr'acte 3)
13. No. 12. Interlude 7 (König Stephan: No. 8, Solemn March)
14. No. 13. Melodrama: I had nothing to say to these people (König Stephan: No. 8, Melodrama from Grave
15. No. 14. Victory Symphony (Egmont: No. 9)
16. No. 15. Finale (Opferlied, Op. 121b)

Librettist Paul Griffiths uncovered by -- and interviewed by -- On An Overgrown Path.

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Photo and image credits: (c) Human Rights Watch. Copyright controlled. (c) William Kentridge 2009. Copyright controlled. All rights reserved.